The Eden
PROCESS TAGS
CONTENT TAGS
LOCATION
Chepstow, Monmouthshire, Wales, United Kingdom
Project Description
The Eden
The purpose of the Artist-in-Residence building is to enrich the existing art festival and community through its design and functionality. My vision is for this space to become a place where people can freely communicate, fostering creativity through creating artwork, engaging in conversations with artists, purchasing art, and visiting exhibitions. Moreover, I aspire for it to serve as the catalyst for revitalizing Chepstow high street. This project offers an opportunity to incorporate various design elements that symbolize the site's history, such as shape and tectonic features.
. In particular, light and shadow have been chosen to represent the heritage of the putcher fishing industry. The shadow cast by the panel serves as a metaphor for the putcher fishing net, adding a captivating and distinctive feature that enhances the sensory experience of the design. To support the extended sections of the building, an arch-shaped H-beam with pinpoint accuracy has been installed. This specific arch design carries the vertical load, while bracing between the columns provides resistance against horizontal forces.
Not only does the arch shape ensure stability for the building, but it also creates a unique sensory experience, making it a crucial and integral component of the building's structural system. The ground floor of the building has been thoughtfully designed to be open to the public, facilitating easy access for people to cross the street and enter the building. This seamless connection results in a larger public area that is accessible to citizens and enhances the existing public space. Furthermore, the ground floor open space is adaptable and transforms during events like the Artists in Gazebos-Craft & Art festival, which takes place on the high street. This versatile space can be utilized to showcase various forms of art, including installation art, augmenting the sensory experience for visitors. By utilizing the open space in this manner, the building transcends being a mere functional space and evolves into a vibrant cultural hub for the community. On the first floor, the studio, walkway, and shop are interconnected both visually and physically. Visitors have the opportunity to observe the artists' creative processes while strolling along the walkway and can also explore each artist's shop.
The positioning of the gallery space has been carefully considered to protect it from direct sunlight by the mass of the residence. This precaution is crucial to maintain the proper conditions for the artwork, safeguarding it from any potential damage caused by sunlight exposure. The orientation of the residence was meticulously planned to maximize sunlight exposure. Simultaneously, it was designed to shield the gallery space from direct sunlight, ensuring optimal conditions for the artwork and preventing any harm or deterioration.
JaeHyun Byeon
(he/him)
I am a first-year student from South Korea, with a dream to build and design a church. My favourite architect is Antoni Gaudi and I also really love Archigram. My architectural interest is particularly in topics concerning boundaries. I wish to further research this and ultimately develop my own interpretation of boundaries in architecture.