The Art Square of the Future // Y Lle Celf y Dyfodol
PROCESS TAGS
CONTENT TAGS
LOCATION
Mount Stuart Graving Docks, Cardiff Bay, Cardiff
Project Description
Urban Stage
Futurism, community enhancement, art exhibition at the Eisteddfod and the extension of the public realm.
I am looking at these themes, because for a city to maintain its status as an important place of culture, then I would argue that its people should have an interesting, quixotic and futuristic place in which to gather.
I achieved my proposal by first designing an urban stage in the scope of the Eisteddfod festival, asking myself the question "how can Welsh culture be displayed in a quixotic, futuristic or future-aware way?" - and answering this question through the means of design. This extended to urban design also, and culminated in a project that not only acted as an urban stage for the Eisteddfod festival, but also as a new and interesting place for people to gather and feel a sense of community, which is often lost in contemporary society.
As people and a society, we have become rather introspective - propped up with the aid of technology, private, and mostly looking after our own business rather than taking an interest in the business of others. Architects have a strong awareness of their role as social engineers, so I believe that there is no reason for design not to attempt to reverse this introspection, and enhance an inward-looking sense of community.
Cameron Linden Green
(he/him)
Inspired by high-tech and late Modernist architects such as Richard Rogers, Ieoh Ming Pei, Renzo Piano and Oscar Niemeyer, I have always found the world of architecture and the built environment incredibly fascinating. I am 19 years old and currently in my first year of study at the Welsh School of Architecture, and hope one day to contribute to the future built environment in a positive way - that appreciates both technology and history.
clg.architecture2002@gmail.com