“Crafting the Algorithm“ This thesis attempts to create a framework that expresses non…
XVI Craft
TUTOR: DR STEVE COOMBS
As a unit we have addressed the meaning and identities associated with craft and manufacturing and the impact that these may have on making architecture.
There are often perceived disparities in making and manufacturing; bespoke and mass produced; hand and robotic skills; craft, material and place that impact on the quality of the end ‘product’ and in turn reflect on place, social standing and identity.
The notion of ‘craft’ today is perhaps one of the most frequently used concepts within architecture, the arts and humanities. In the words of Christopher Frayling, ’craftsmanship has again become fashionable’.
In response to the concept of craft, the last century has seen a renewal of the term ‘architect as maker’. In contrast however, vast numbers of architects have also become increasingly disjointed from the making process and in consequence, a design often relies on tried and tested products to meet approved performance requirements, reducing specifications to a ‘shopping list’ of systems and products.
George Morgan
“MATERIALS MATTER” This thesis investigates the role of the material that makes the…
MADDIE WELLHAM
“The Craft of Misrepresentation” Entitled the Craft of Misrepresentation, the thesis explored the…
TOM KIMBERLEY
“THE MARKS OF MAKING AND THE MAKING OF MARKS” The thesis explores the…
KATIE MES
“WASTE REFORMATION” Traditionally, in the early 20th century, people would rely on their…
ERDAN WANG
“TRADITION AND INNOVATION: CRAFT OF THE VERNACULAR” This project aims to make people…
ALICJA ZOLNIERZAK
“Craft of Mindfulness” The project aims to present how architecture can address local…